Emma Kwok
Media Studies / Anthropology / Folklore
ESSAYS
FOLKLORE
Written while pursuing a master's degree at Memorial University of Newfoundland:
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When Ahma Met Ahye: What Personal Experience Narratives Do (Nov 2021): Meanings which emerge when my family members and I tell and retell the story of how my grandparents met and married.
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Savouring Family and Heritage through Joong (Nov 2021): My family's experiences with joong, bamboo-wrapped sticky rice, and the roles the dish might serve among us.
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Nuanced Names: When Traditions and Groups Converge Within One Family (Dec 2021): The connections between Dorothy Noyes' Group (2003), Henry Glassie's Tradition (2003), and how five members of my family gained and perceive their Chinese and English names.
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Kubo and the Two Strings (2016): The Intertextual Perpetuation of Orientalism and Colonialism (Apr 2022): How Kubo and the Two Strings, a stop-motion animated film, is designed to feel both authentically folkloric and Japanese (and why this matters).
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Myths and Pillows: Two Versions of Pillow Fighting, Analyzed Using Barthes’ Semiological Approach to Myth
(Apr 2022): What makes the aura of the Pillow Fight Championships unconvincing in comparison to a gamified version of the sport represented on the Korean variety show, Running Man.
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My Experience with Alliance for California Traditional Arts (Aug 2022): A reflection on the benefits of using a living document model for folk and traditional arts reports.
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Things Continued, Things New, and Things Learned: Exploring the Nonprofit Arts and Culture Sphere with ACTA (Dec 2022): Contextualizing my work at ACTA within recent approaches to equitable funding for folk and traditional arts.
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Public Spaces and Events: Spatial Imaginaries at The Rooms (Apr 2023): How public spaces and events at The Rooms, Newfoundland and Labrador's provincial cultural institution, can further spatial justice in St. John's.
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It's a food! It's a drink! It's a... Space-Time Machine! (Apr 2023): Examining how a food can transport feelings of community, belongingness, and home across time and space.
SILHOUETTES & SURVEILLANCE
Dec 2020 | University of British Columbia
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In this video, I analyze artist Kara Walker's African't (1996) using ideas about the surveillance of blackness from Simone Browne's book Dark Matters.
REFLECTIONS OF THE ANTHROPOCENE IN IMMERSIVE ART
Nov 2019 (Edited Mar 2020) | University of British Columbia
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This essay, on how panorama paintings and infinity mirrored rooms can be interpreted to embody attitudes characteristic of the Anthropocene, was published in the inaugural volume of UBC's Beacon: Journal of Media Studies.